I snuck out of Berkeley with an architecture degree even though I only completed one architecture studio (while dropping out of a second architecture studio, taking three visual studies studios and one landscape architecture studio).
The landscape studio consisted of a series of quick projects, including this exploration of remediating an abandoned rail line using plants to pull heavy chemicals out of the soil.
It seemed fitting to share this long buried project for Earth Day.
This studio was as much an art studio as a design studio, which isn’t a surprise when you check out Professor Chip Sullivan. This piece was an homage to old science fair presentations, with infographics and drawings, using oil pastels and ink.
With the re-discovery of my old fountain pen late last year, I am now finally finishing the very last of that red ink, twenty three years later.
Over a cup of coffee, my friend defined a group of design students who are basically art majors. There is much appeal to straddling both worlds. What can be better than savoring a creation with no “ifs” about how it might actually be in “real life”? To make is the most primal human activity. Yet “to make” also encompasses “to imagine”. To think a drawing represents a viable space 57,600 times its size, to believe “these” certain lines will best direct the movement of hundreds of people over the next fifty years — that demands imagination. A design education challenges and refines raw imagination. For those who cannot rise above the flatland of pure art or refuse to descend from a theoretical ivory tower, let them remain trapped. While the opportunity remains, I will precariously attempt to scale both worlds high on caffeine.
It’s a bit cringe to read what you wrote as a 20 year old.
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Hindu thought includes a roadmap of life with four stages. These college drawings were the climax of my work as a Student.
In their system, I should be wrapping up my time as a Householder, but I’ve got another fifteen years before Retirement (I doubt the ancient system expected folks to be making babies in their late thirties…or Social Security age limits).
Even though I might be late on the ancient Hindu time schedule, I’ve noticed that my attitude has changed towards work in the past eighteen months. I’ve lost appetite for business books. I still think about my role as a project manager, but I no longer study “leadership”. I work a hard 40 hours, but I’m not turning that dial up to 11.
I wonder if that next stage in life will be in letters, as with my little library, or if it will be a return to making art.
If it’s the latter, I need to make some space to get messy. It’s been much too long since I’ve gotten my hands dirty.
On Thursday I tried drawing the boy who told me to draw the tricycle instead.
And a Figure 8 to start a quiet Sunday morning (since I decided that work can wait till Monday).
Outline of a tricycle from behind, drawn in red ink on a yellow steno pad.Line doodle sketches of the boy climbing around his chair. Red ink on a yellow steno pad with old pencil notes and sketches.Sketch from my Ba Dian Jin instructional book. The head is way oversized, maybe because we watched My Neighbors the Yamadas for the past couple of weekends. (The kids love it!)
I feel like I’ve got a decent handle on bodies when I’m paying attention. I might switch to focusing on heads.
Threw in some more architectural scalies. Reminds me of that one day where I spent twelve hours practicing architectural lettering. Have it down for the rest of my life.
Unfortunately it’s a dead art. Though I’ve used it on handwritten thank you notes after interviews to show I’m a real old school draftsman.
Monday was crazy so first thing Tuesday is to catch up on yesterday’s figure. Maybe I’ll get a second round in this afternoon.
(I threw in some architectural scalies for fun.)
I’m reusing my notepad with sketches for the 6 of Swords….and this is now my desk pad so the rest of the white space will eventually get filled in (and green highlighted when completed).
At the Museum of Contemporary Art, San Diego I contemplated my recent decision to draw more (than nothing everyday). One gallery had paintings with several highly stylized figures. I committed the classic response to modern art.
I could do that!
Spoiler alert: I can’t.
This idea pushed me to finally attack the white whale of drawing figures. I’m so bad, even my architectural scalies look awful. This is way out of my comfort zone but it’s time to attack the issue in a concentrated fashion.
I’m calling this Figure 8’s . The series is to draw a human figure for +/- 8 minutes, for x8 days.
At least for 08 days to go with the 8 brocades, maybe up to 78 (tarot deck) or 18, 28, 68, or 88 (for good luck).
Yesterday, I started with image of a guy stretching upward. I didn’t use a reference and …. umm yeah … this makes my scalies look like palatable.
The drawing today was from the cover of my exercise book, the second callisthenic shooting an arrow. I’ll do exercises 3-8 from the book before I venture back out into my imagination.
The girl got a good laugh when she saw these drawings, she even got her brother upstairs to join in the fun. It may be good for them to see dad fail miserably…and hopefully get better by the end. Given how quickly she picks things up in school, I worry she has developed a fear of failure. So hopefully this will encourage her to take some risks and fail graciously a few times before the stakes get too high in life.
I took my first studio in the spring of 1998. More than architecture, ED11A was about drawing and seeing.
This was the big midterm assignment.
It also coincided with the clock change, and we bemoaned the loss of an hour to complete this drawing.
It turned out that I didn’t need that extra hour. I finally got an “A” on this drawing. It was a brutal studio (architecture studios are half hazing), but something clicked on this drawing.
I expended an intense amount of effort on this piece, but one must also credit Fortuna, since nothing is guaranteed with art.
It’s been a quarter century since that long week in concrete caverns of Wurster Hall. Things that seemed cataclysmic are mere whispers in our memory.
Maybe I’ll return to this level artistry one day. More importantly, I hope my kids will push themselves to discover their art — my daughter is less than a decade away from her freshman year in college.
18″x24″ Pencil Drawing of a Coat, Desk, and Chair. I spent the week on my stomach drawing the green army trench coat at my studio chair and desk. A classmate drew this same scene from a different perspective. Everyone else took this opportunity draw in the comfort of their dormitories.
The graduate assistant for our section was Noga Wizansky who still makes great art. During my time at Berkeley, I developed close relationships with the professors Chip Sullivan and Joe Slusky in future studios. I loved their omnivorous approach to everything. It’s a shame that the Architecture program has become focused on architecture. There’s plenty of time for that silliness after college.
Ink for determining the perspective Detail of the selected view
Late last year, I started drawing a little. I had joined Post.news and wanted to see more art in my feed. I decided that I had to make some of my own in order to manifest this desire into reality.
The drawings are nothing special, but it was good to start moving my hand again.
Hands are a rich subject. They are very hard to perfectly, but they are quite forgiving to make decent. It’s just a matter of breathing slowly and taking your time.
This exercise is highly recommended for anyone that wants to get out of the digital vortex of the 21st century.
Index Finger pointing towards the Right.An open palm with my Pelikan Fountain Pen cap resting on my fingers.Two attempts at a twisted wrist. I wish I could say it was a nice stretch, but it was just tiring.