At this pace, I’ll be a year behind, except that this new year has come with a new habit—less socialing, more zining. After I make a few zines, maybe I’ll get into the selling and distribution business.
Or may not.
Anyways, there will be less catching up of old Substack Notes.
,
4/13/25
jump easy enter vector five galaxies between you and remembrance Georgia come back into life
In my current calligraphy practice, I’ve been focusing on the letters more than choosing words, hence my reliance on word lists.
These poetry hauls are fun opportunities to play with smaller scripts arranged on a page. I only have to pick five words to turn the given ten into a fifteen word poem.
,
4/20/25
Celebrating Easter with the most destructive beast known to mankind.
,
5/25/25
Celebrating my colleagues’ new lives. Yes, our team had babyx2 last summer!
,
5/28/25
Gemini Annie has two many
An inside joke with an online buddy who worked with a pair of cute twins at her old job.
I’m not a fan of the astrological words, certainly not in the context of making 5WP’s. But I’m in a “collect them all” mood with all of the Inktober challenges.
,
6/1/25
Vista, playing with folds inside folds.
,
I just listened to a podcast with a business professor who teaches about power. It was grating, until they had a discussion about the price of power.
In so many words Jeffrey Pfeffer acknowledged—when you got power, power got you.
I’ve seen this dynamic over the years. It’s why I’ve been fairly unambitious in my career. I do good work and this has stumbled me upwards, but I’ve never pressed for the next promotion because there is no free lunch in corporations.
Cya next time!
,
PS—Exploration Peak
We went to the park with the kids. After the playground got busy, we hiked up the trail to the picnic structures on top of the hill. When we got there, the girl noticed that the benches had initials carved all over them.
She asked why people would do this. I responded that people want to make their mark in this world, even if it means vandalizing our public property. Not particularly noble, but I get it.
While hiking down the hill I thought of Bernard Tschumi’s follies. Of course, those big red structures are another stratosphere of architectural sophistication compared to picnic canopies.
It made me nostalgic for college, with memories of famous architects. Gods in our eyes; just men making their mark in our world.
—October 2021
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PPS—The turtle sandbox
The kids rediscovered the sandbox. A big green plastic turtle with a couple feet/stools and some toys. It’s a bittersweet object. We got it long ago, before the boy was a concept in our world.
He’s now old enough to play with himself in this box. He appreciates the company, but he keeps himself contented moving sand around. Our daughter is still young enough to enjoy the moment, but lost patience after a while.
Kids are fickle, but that means they can also come back to rediscover old joys, while we adults live at a much higher gear, too bored to watch children pushing sand. I rationally understand this is a vanishingly short moment, but my brain craves the high octane sugar buried in the telephone computer.
In twenty years, I hope that I’ll remember the evening light, the sand in my feet, and the fading Vegas summer heat before the start of fall, not this aching addiction to a glowing screen.
November and December 2025 turned into a crash course on estimating budgets and schedule.
Having gone through the crucible of three CIP seasons with the State of Nevada, I can quickly slam out numbers, but with multiple mega-projects on the horizon at the airport, I wanted to standardize our contingencies and develop a transparent process for turning a construction cost estimate into a project cost estimate.
A while ago, I had pondered the question about desired accuracy for a project estimate. With a little research, I found a professional society who studied that exact problem—the Association for the Advancement of Cost Engineering (AACE). In their rubric, the roughest estimates are categorized “Class 5” with an 80% confidence of landing between -30% to +50% for construction projects (AACE 56R-08, adopted in ASTM E2516).
This range worked aligned with recommendations from our planning consultant for early cost markups. More specifically, we added a 20% Design Evolution markup to the Direct Construction Cost. This marked up cost became the basis of all the other costs in the project estimate, including a 20% Construction Contingency and a 10% Owner’s Allowance (because there are always changes after bid!)
Over the course of a project, the Design Evolution would drop to 0% when issued for Bid, while Construction Contingency should drop to about 5% as conditions in the field are investigated, but holding a bit for bid risk when bids are opened. The Owner’s Allowance would stay steady at 10%, but could shift if management was unwilling to allocate so much budget for post-bid changes.
As with all rules of thumb, the estimator is still responsible to account for the specific project needs, but having suggested defaults frees me to focus on unique conditions that require special consideration.
While it might be more technically accurate to stagger the cost of escalation over the course of time, we structured the estimate to provide a subtotal of the entire project cost and then add escalation as overall markup. Hopefully this will clearly highlight the cost of waiting to approve these major projects. While fools may rush in, analysis paralysis is not free—a few percent a year adds up fast!
So how to estimate a schedule? Unlike cost estimating, I was not prepared to tackle this question because I was always shoehorning dates to fit the State’s two-year legislative cycle. But the internet is a wonderful place, now that I have the freedom to recommend schedules that best fit our project needs.
Again, there is no need to re-invent the wheel—the Navy dealt with this problem in the 1950’s, creating the “Program Evaluation and Review Technique (PERT)”, where an estimator develops three schedules resulting in an Expected schedule. Since I’m intimately familiar with each step of the process, it’s easy to develop an Optimistic Schedule. My estimating spreadsheet combines these small steps into larger phases (design, permitting, construction, etc.) which makes it simple to take some broad guesses to develop the the Most-Likely and Pessimistic Schedules.
The spreadsheet then averages the estimated schedules to calculate an Expected Schedule. This schedule is considered to be a 50% confidence level estimate—half of projects will be delivered after the completion date. To bring the schedule back up to an 80% confidence level, the spreadsheet does some simple statistics to calculate a Schedule Contingency, which is shown as a final line item to determine the opening date.
As such, the schedule sheet is structured similar to the cost estimate (with the esclation added at the end). The Expected Schedule keeps the project team held to a tight process, while the additional contingency gives management a date they can confidently share with the public. This is similar to the US Army Corps of Engineer’s guidance that Congress is typically presented with an 80% confidence schedule while internal schedules are presented at 50% Confidence (USACE CSRA).
With a schedule in hand, we can now calculate escalation to the midpoint of construction. Since the cost estimate targets an 80% confidence level, we include the entire schedule contingency before the midpoint of construction.
How much annual inflation should to assume? The US Federal Reserve targets 2%, but the 2020’s have been rough, seeing 7-8% annual jumps. Things have settled down, but given recent experience, we are still assuming 4% annually. Call me in 2036 to see if that was anywhere near correct.
With that, the cost and schedule has been estimated. If you wanted to be fancy, you could build some s-curve spending projections. However, for the scale of my projects, I’ve only been asked for annual estimates, so I just use the even linear spending tracker calculated in Microsoft Project.
(Microsoft Project is a whole other thing I learned these past two months. It’s too much to cover but a few concepts that some figuring were task dependencies, hammock tasks, assigning costs to the tasks, and using flags to add color to the Gantt chart. YouTube is a great tutor, as well as AI—LLM’s are only semi-reliable, but used carefully, it was critical in working through both big picture questions and navigating software quirks.)
With this information, we can hold a jury to vet the project. Since the Construction and Design Division will be tasked with delivering the approved budget and schedule, we owe them an opportunity to critique the estimate. We also invite key operational staff for extra eyes to challenge assumptions and catch what’s missing.
And with that, we can finish the estimate with a cover letter to memorialize the basis of estimate to provide context around numbers:
Project Description (what will this do; where is it?)
Project Justification (why is this needed; who is served?)
Key Assumptions (when (schedule) and how the project will be delivered)
Base Documents (percentage of design complete, and often referencing a 3rd party estimate)
Confirmation (or not) that an internal jury vetted the project.
List of attachments (additional diagram, cost estimate backup, etc.)
After a couple initial tests, this template is working well. I can smash out a draft estimate in half a day, though I’d prefer a few days to do it right. Beyond half a week, I suspect that extra effort would be minimally helpful—I’ve often claimed that I can spend three hours or three weeks to end up equally wrong.
With that, I’m happy that I was given the time to develop a project estimate template that shares the work, from the basis of estimate to the final budget and schedule. Critically, this a transparent document, showing the assumptions with a clean line of logic so that decision makers can evaluate the staff’s technical opinion on the proposed project.
And with that, it’s on them.
~
Some Links
For some reason I don’t have much patience for live action films, but I gladly watch animation all the time with the kids. Here are three standouts from the last three years.
Puss in Boots: the Last Wish is the stunning sequel to the lackluster spinoff from the Shrek franchise. It was shockingly great with a tight, rich story paired with gorgeous animation. I guess DreamWorks was impressed by Sony Animation’s revolutionary Spiderverse and upped its game!
Robot Dreams is a cute, yearning story of a dog and his robot, lovingly set in in 1980’s New York City. We just watched the movie, so it might be recency bias, but it should have won the 2023 Oscar over Studio Ghibli’s The Boy and the Heron.
Flow was the worthy Oscar winner for 2024, a surreal tale of a cat weathering a sudden flood in the valley. As a wordless film, I was worried that the kids wouldn’t dig it, but they both loved it. Gints Zilbalodis is an auteur who has the courage to finish what Pixar started in that epic that first half of Wall-E. Zilbalodis’ 2019 full length film Away (included in the Criterion Collection DVD) was also well worth the watch.
Bonus! We just re-watched Ernst and Celestine now that they’re now old enough to enjoy the sweet tale and gorgeous watercolor animation. It might come from a children’s book series, but it’s absolutely enjoyable for adults as well.
~
General Store, Moundville, Alabama, 1936, Walker Evans
Starting the New Year marching through pieces from eight months ago, then again, it’s fun to explore the (recent) past.
,
4/1/2025
Looking back, I should made a lot more of these backlit photos on the light tablet. I remember when light tables were big pieces of furniture. Now they are thin cheap LED’s powered by a USB-C cable.
After making this piece, I realized that this prompt was likely inspired by the TV show Severance. So I made a popup based on that logo as well.
,
4/5/2025
state dinner droned past six rain lust through parged age never duplicate time flowing away
I spent a month playing with fractur script. Normally I use a 6.0mm nib, so it’s fun to drop down to the 2.4mm and fit more than a few words on a page.
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4/7
A simple slice, with the sliver tucked into its original cut.
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4/10/2025
A literal take on the Lego form as I was studying the 3+1 (above) versus 2+2 (below) folds.
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4/18/2025
Tigers hunt in the tall grass.
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I’ve been on a good run of working ahead, so it’s been weird to write in the present tense when it isn’t Thanksgiving yet. Moving forward, I might drop this pretense until I’m back to being behind “schedule”.
Cya next time!
,
PS—Journey to the West, CCTV, 1986
After I recounted the story of the jade rabbit from chapter 95, my daughter wanted to watch the story. The episode adapted the novel well, hitting the key points while abridging and eliding non-critical aspects. The producers spun the story with a moral exhorting Piggy to behave, but otherwise followed the original.
Indeed, they followed the spirit perfectly. The novel is itself an artful collection of folk tales, so this was a figuratively faithful translation into a new medium.
Unfortunately, the production shows its age. The pacing is a little stilted and the budget is much less than one expects with modern fare. I imagine two audiences for this show—rewatching for nostalgia and for nerds to analyze how the novel was adapted to the television medium.
I would fit the latter group, but having no fondness for live action TV, this series isn’t for me, definitely not for a 30 hour commitment.
After completing the novel, I watched the final episode of the show. I love how they stayed faithful to the original story while closing it in its campy, endearing way. I see why this show has been replayed on TV every since year since its original broadcast. I watched a trailer of a 2011 take on the novel and the old practical effects of the original are vastly more appealing than cheap, outdated CGI.
—October 2021
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PPS—Cowboy Bebop, Netflix, 2021
I don’t know how to remake a classic, except that this ain’t it. The production is of decent quality, though imperfect. John Cho is a little old. None of the actors hits their notes dead on.
This adaptation is trapped in the uncanny valley of recreating the past (episode 1) and creating its own identity (episode 2). The first episode missed the mark (a damn near impossible task), and the second episode proved it was going in a direction that I wasn’t interested in.
Vicious and Julia are barely characters in the original. He was (as the name implies) is a cruel force of nature. She’s mute lost object of desire. Making them human reduces their essence and costs us time in revisiting the main characters.
To be fair, I might have given this series one more episode but after disliking the second I crawled the internet, found mixed removed and moved on. Why spend 8 hours on a mediocre echo when I could just revisit the original masterpiece again?
—November 2021
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PPPS—World’s Most Extraordinary homes, Netflix, 2017-2018
My kids make little tent structures around the house so we thought they would enjoy checking out all these cool houses around the world.
Yup, it was pretty awesome!
Admittedly, when the revolution comes, these folks will be the first to fight the mob at their gates (unless their private security forces pushes the rabble towards easier targets).
Class envy aside, the rapport between the hosts was fun and the houses were luxurious. Unsurprisingly, we preferred the smaller (often architect owned) structures. Financial constraints made for tighter designs that just felt right.
The first season was sorted by geography (mountain, coast, etc.), while the second was by nation. Both were fun to watch and it’s a shame there aren’t any more seasons.
I met the Architect and our Agency to discuss a simple fencing project. We addressed logistical concerns and needs of their staff and clients. We covered security concerns, budgets, and traffic flows.
At the end of the meeting, the Architect started to ask questions. He stripped away the project requirements. He challenged our priorities and tested the assumptions.
It was a beautiful moment of architecture. I got to see a flash of inspiration happen in real time.
I’m not sure what the agency will do. Maybe they will stick to what they originally requested. But the architect’s job is to ask the hard questions. We’re not just order takers. We push our clients towards their best future—which might not the one they imagine.
In my years, I’ve had the privilege to watch professionals practice their craft at the highest level. A few years ago, I watched my old boss sell a design, weaving a tapestry of a story. It was a raw display of skill, and I told my interns to cherish the moment, cause that doesn’t happen every day.
This was another such moment. It was also a professional challenge. Why didn’t I ask those questions earlier? I might be the owner, but I haven’t become a ticket machine, yet.
I’m here to challenge your assumptions and refine your future.
I’m still an architect.
~
Some Links
YouTube is an amazing warehouse of amazing dancers. I presume TikTok may even be more addictive, but I’m not touching that drug.
Lia Kim is my favorite dancer and choreographer. This collaboration with Jinwoo Yoon for Rain Dance always takes my breath away. Their body control is so tight and synchronized with the music. (While in Korea, a shoutout to TIMT who posts behind the scene to accompany their short performances.)
Sven Otter’s electro-swing is captivating in both his homemade videos and in commercial advertisements.
Marquese Scott was one of the original YouTube dancers and Pumped Up Kicks video still hits, even with the simple set camera on the ground. I also love this collaboration with a sign spinner.
My thoughts about this despised big box chain revolves around two stories.
Two decades ago, I read an article describing the demise of the pickle giant Vlasic as Walmart’s relentless supply chain squeezed them into bankruptcy.
The second was an anecdote by a friend whose sibling works for the company. Walmart employees are not allowed to accept gifts. The rule is so strict that they pay for bottled water when visiting a vendor’s office.
Aside from the power of stories to stick in one’s memory (branding!), they highlight an interesting dichotomy I’ve seen in government.
Bureaucracy has a logic all its own. The system will demand individual uprightness while being corporately cruel. As the Owner, the trick is to find that balance. We must uphold strict standards, but we also need to execute with wisdom and judgement.
It is easier to be a coldly bureaucratic operator, but the process is so much richer when practiced with warmth.
~
Some Links
For about six months, I dived into jazz. I don’t consider myself particularly knowledgeable about this obtuse genre, but here are a few standouts from those explorations, primarily courtesy of library app Hoopla.
After trying out a few of Keith Jarrett’s solo albums, I’ve settled on the Paris Concert. Like the rest of the world, I adore the Koln Concert but I prefer how the Paris Concert starts with a baroque phrase before transitioning into jazz.
Coltrane is still the truth. For the season, you can’t go wrong with My Favorite Things, and Giant Steps is every bit as giant its title.
Less famous known is Bobby Timmons. I first found him due to his excellent Holiday Soul Christmas album, but I’ve also very much enjoyed his albums Chun King and Chicken and Dumplin’s.
I walked a renovation with my Architect and the Using Agency.
It was strange to traipse through the building. Construction had started a couple of months prior, but it all felt theoretical.
As an Owner, my job is to manage budget and schedule. I’m here to make the process move smoothly; it’s all so abstract, not solving the problems in the field.
Yes, it’s less stressful than the technical day to day grind in private practice.
But we don’t get to enjoy the scenery either.
~
Some Links
I’ve always been fond of for folk music, and YouTube is a treasure trove of artists.
I found Daoiri Farrell from an impromptu flight delay session, and the Creggan White Hare has been on regular repeat ever since.
Nicolas Campin anchors a haunting Mazurka, but if you’d rather have your players separated, here is a captivating Scottish à Cheillé on dining tables.
A captivating pairing of 十面埋伏 with A Change Is Gonna Come by Charles Yang. His soulful singing is a pleasant shock after playing the high pitched pipa tune on the violin.
Before wandering into the world of pop up cards, here are five last 5WP’s…until we get back into poetry again!
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3/24 Inktober 52 (2024), week 13
battling samurai with a spork
I tried a few lineweights with this Spork. The simple clean version one felt most spork-y.
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3/28 Inktober 52 (2024), week 11
japanese racoons shapeshift with nuts
A reference to the brilliant Studio Ghibli movie Pom Poko, a fun commentary on fighting our inevitable exploitation of nature. An early scene showing the development of the rural land around Tokyo is one of the sharpest satires I’ve seen on film.
I can’t remember for sure, but with the spacing so perfect, I suspect it was tweaked in the box. Nothing crazy, just a nudge here or there.
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4/3 Inktober 52 (2024), week 8
astronaut riding a space donkey
An early experiment with inverting the background and playing with colors (using the Hue-Saturation filter). One day I should start experimenting in IRL with gauche on colored paper.
,
4/4 Inktober 52 (2024), week 9
always add a red balloon
The version on blank sheets was fine, but ruled binder paper felt like a relevant background for something that references a red-balloon (and as always a little extra noise can make a huge difference).
This was a reference to the architectural rendering trope adding a child with a red balloon. It gives a pop of color in the sky and a sense of playfulness to an otherwise staid image.
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3/29 Inktober 52 (2025), week 13
a flock of folded rams
With this I detoured heavily into the world of pop-up cards. We bought Paul Jackson’sCut and Fold Techniques for Pop-Up Designs for the boy’s birthday, but I stole it as soon as I saw it. There would be a few more 5WP’s, but dealing with the third dimension and the constraints of the paper sucked all my creative energy for a while.
After summer, I returned to flat paper with the ruling pen but focused on a single word at a time. I’d like to return to poetry and pop-ups (and maybe both at the same time!), but struggling with a word itself is challenge enough for now.
,
As we head into this season of year end summaries, it’s interesting to think that this post covers the first half of 2025 with my “standard” 5WP format, practicing with a brushpen on ruled binder paper, and folded pop-up cards.
The second half of the year (assuming no surprises after I draft this in late October) was dominated by the ruling pen, a month off due to illness, embracing a focus on just one word at a time, and finally pushing out some old blog drafts.
I wonder what the new year will bring? All I know is that I don’t.
It’s gentle, but dang if your arms don’t get tired! And it’s easy to crank it up if you’re feeling it.
For me, it is cultural tourism, exer-dancing with a group from the exotic orient. I guess it’s not totally foreign since I’m of Chinese descent. The music is familiar, even though I don’t understand the words to the songs. While the megalopolis Asian urban setting is strange, the faces are not.
I would prefer to hang out at the local Kung Fu gym for my exercise. But that time that has passed. I don’t have time to slip out to practice with kids who are a just a few years older than my children.
Unfortunately, Tai Chi by myself gets old after a while, but partaking in the kitschy music and oddly familiar foreign group movement with the family is a nice change of pace for a day’s exercise.
—May 2021
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PPS—Rubber Balloons
My daughter wanted helium balloons for her birthday, but we ordered a bag of regular balloons from Target.
She quickly got over her disappointment after my wife inflated a couple of them. Human air doesn’t float, but gravity makes for play. They spent a couple of hours batting them around the house. Up and down the stairs, over the dividing walls, in the bedrooms.
I hadn’t heard the boy laugh like this in a while. All over fifty cents of rubber.
It pained me to think of all the kids who can’t afford such a fleeting luxury. And I was reminded of a fellow father riding in the Vegas heat with a foil balloon for each of his kids.
—October 2021, soon after, they discovered the manual mattress pump. We had hours of fun inflating the balloons and letting them fly through the house.
.
PPPS—Pac-Man
Our daughter is growing up fast. She was reading a book with snippets from American History and asked about “Pac-Man”.
We watched YouTube videos and played Scratch versions of this classic. I also explained the concept of “arcades” where people had to pay coins to play computer games, and how the value of a quarter has been debased over forty years.
This weekend I pulled out a “Pac-Man Connect and Play” that plugs into the TV. Even though they didn’t enjoy Pac-Man, the boy loved a driving game where you left oil spills to spin out the pursuer. She preferred a flying game shooting coins out of the air.
After TV time was up, we played Pac-Man in person, using deflated balloons for the smaller buttons and inflated balloons for the ones that made Pac-Man eat the ghosts.
Then we took another YouTube break for the The Go! Team’s Ms. Pac-Man music video. That led to watching more music videos, TV advertising, and discussed how TV used to be appointment viewing.
Basically, we covered the last half century of American culture in a weekend through a yellow lens.
Long ago, boardgaming was my primary form of entertainment.
I would read rules while riding the bus into downtown Houston for my corporate gig. I was trying to internalize the rules and visualize the game experience. Of course, great games stand out because they create complex dynamics that can’t be visualized in a steel tube crawling through city traffic. But what’s the alternative? Buy a game without thought?
Beyond the acquisition decision, this turned out to be was a powerful mental exercise. I was focusing on a complicated text in a variable environment, applying words to a future self. In mentally playing a game, I sat in each opponents’ chair, visualizing their competing interests—different goals leads to different actions, creating that elusive the gameplay dynamic.
Years later, I’m doing the same thing as with contracts tackling difficult situations. The stakes are a bit higher, but that’s all. People generally act according to the set up. So I try to empathize with their pressures to understand their motivations. How can I navigate this mix to discover an optimal outcome?
There might have been less frivolous ways to spend the commute, but reading boardgame rules turned out to be a solid choice.
~
Some Links
Our son prefers cooperative games, and Matt Leacock is the giant who designed Pandemic that popularized this genre. In simplifying his classic for a wider audience, he designed Forbidden Island with a board made out of tiles. This twist created a game where the board would disappear over time.
He developed the idea further with Forbidden Desert, where the tiles would shift and and move. I haven’t tried Forbidden Sky, but we just purchased Forbidden Jungle. Here, the players are required to shift the board around—while managing a bunch of grouchy aliens.
This series is a fun case study of a designer developing a simple game mechanic (tiled boards in a cooperative setting) over several iterations. All three are highly recommended.
Oh, I don’t want to watch Pokemon. Cleaning up takes energy and I only have 1 energy left.
8/28/2023
,
3/11 Inktober 52 (2024), week 17
history comes in funny caps
That’s a funny looking cap.
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3/13 Inktober 52 (2024), week 16
red ball chasing this parabola
I pulled the background way down for the final composition. Just enough for some visual interest, but not enough to compete with the 5WP.
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3/14 Inktober 52 (2024), week 15
reading by clear river light
I studied abroad in Paris in the Spring of 2007. It was a glorious semester. I traveled a little, had a nice project, and spent a lot of time in the city of lights. One of my favorite moments was reading Raymond Chandler along the banks of the Siene on a glorious Sunday afternoon.
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3/15 Inktober 52 (2024), week 14
Steve Jobs is my sidekick
It’s crazy how addicted we are to these rectangles in our pockets.
Growing up in the 80’s, it’s crazy to think the guy behind the Apple IIe’s would take over the world with pocket computers, with unimaginable power and connectivity.
,
3/23 Inktober 52 (2024), week 10
this moment frozen in flight
Once I have a good rhythm going, it’s really hard to go off script. So that last “t” was surprisingly hard, even though I had the cursive down pat.
,
I’m writing this a bit in advance, but I’ll have basically run through my second Inktober.
I’m sharing my pieces on Substack Notes and on Bluesky, but I won’t be using Instagram, where the whole exercise sprouted. I despise Zuck’s algorithms, so I’m not giving him any more “content”, especially since all I get in return are a few hearts on IG and no comments of substance.
There are very few clean transactions in this world—one day I’ll have to reconsider my usage of Substack and Bluesky, but I’ll enjoy the party for now.
Cya next time!
,
PS—Pokémon TV
It’s a kids show, boring for adults.
I was just old enough to miss the phenomena when it first hit America, but after winning a Pikachu stuffy at the claw in the Primm Outlet Mall, the kids wanted to see what the fuss was about.
Good lord, Nintendo created one heck of a merchandizing machine.
Gotta catch them all!
Toys, collectable card games, video games, books, plenty of gear, and endless TV shows!
A brilliant case study for late stage capitalism via a little yellow electric squirrel!
Pika pika!
—September 2023
,
PPS-Pokémon Go
A slight nudge to walk more Kilometers (to hatch eggs)
Kids love collecting! I had to set a screen time password on this game.
Eventually stopped using it, I don’t need more nudges to use a phone.
PPPS-Pokémon Sleep
I never tried a sleep tracker before. Interesting to see how badly I slumber.
The kids spent too much time playing with the game parts.
I stopped using it. It’s weird to have a phone on the bed next listening to me all night.
PPPPS-Pokémon Smile
Great timer for brushing teeth. Works for 44-year-olds too.
The kids spent a bunch of time with stickers until Mama put her foot down.
I brush my teeth in horse stance so my head is low enough for the iPad camera. 2-for-1 exercise!
—January 2024
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PPPPPS—Pokémon Zeddemore (v0.1)
Years ago, I came across a single-deck format for Magic the Gathering by Seth Brown and Tom (no last name given).
After a fellow architect gave me a pile of Pokémon commons for my kids, I dusted off the ruleset to make a game out of these cards (since the little ones aren’t ready to construct their own decks).
We played it a couple of times this weekend and this format translates well to Pokémon.
Plagiarism alert: everything below is a copy of Tom’s original tumblr post with only minor revisions to adapt it to Pokémon—why rewrite rules that already work?
Winston is a draft format designed for two players by Richard Garfield. Here’s how it works:
A big shuffled deck of cards is put, face-down, in the center of the table. The top three cards are placed in a line next to the deck. I will refer to these cards as ‘piles’, because that’s what they may soon become.
The first player to draft looks at the first pile (currently just a single card) and decides whether or not they want to add it to their pool. Let’s say they don’t. They add a new card from the big deck to that pile and move on to the second pile, where they repeat this process. Let’s say they want this card. They take it and replace the now empty pile with a new card from the deck.
The second player looks at the first pile (which now contains two cards). If he wants them, he takes the entire pile – in this case, two cards. He replaces the empty pile with a new card.
If a player passes on all three piles, they take a random card off the top of the deck.
Continue until all cards are taken.
And that’s it. Simple.
What Zeddemore does is take the already fun Winston Draft, and spreads it throughout the game. You draft as you play. Your initial draws at the start of each turn become drafts.
Hopefully that gives you a sense for how Zeddemore plays, so let’s talk about how it works.
The Opening Hands
The original MtG Zeddemore starts with three rounds of drafting to construct your opening hand, which makes sense for sophisticated players. On the other hand, I’m just playing with my kids.
So I just deal seven to the hand (and six as prize cards).
And then start the first draft as the first draw phase of the game.
Changes to Pokémon
Before we start playing, I borrowed up two key rule changes dug up from the internet.
Any Pokémon can evolve into any other Pokémon of the same type, as long as the stage matches. Hoppip—Gloom—Venusaur, but not Hoppip—Vileplume—Venusaur.
You can use any Pokémon as an energy (turn it upside down to attach). The energy type is determined by the Pokémon type.
The Turns
Aside from the draw being replaced by a draft, turns work as they usually would. Drafting does, however, have one important rule. Only your first draw during your turn is replaced by a draft. Any other card drawing is handled in the usual fashion – straight off the top of the deck. You may only draft during your turn, and only once per turn.
The Deck
Much like with Cube, a bunch of cards will be needed. A great deal of creativity is possible in the construction of a Zeddemore Deck. Generally though, it follows these guidelines.
Energy – Since I use Pokémon cards as energy, there is no need for energy cards. However, this rule change came about because I wasn’t gifted energy cards. Maybe this will change at some point. (The original MtG Zeddemore recommends 25 to 30% of the cards in a Zeddemore deck should be lands, a bit less than normal, but they also start with a couple lands in their hand).
Milling – Cards that put cards from the top of a player’s deck into their graveyard are generally avoided. Players can’t lose by decking, so most of these cards simply don’t do much.
Singleton – Generally, Zeddemore decks are singleton, although this is by no means a requirement (I don’t have enough cards to go singleton, but it is a goal if I buy a bulk pack of a thousand).
Card Quality – One aspect of Zeddemore that Seth and I both hold dear to our hearts is the inclusion of both good and bad cards. I will explain the thought behind this in depth in the future, but suffice it to say that it serves an important mechanical need in Zeddemore, and an experiential one. If you have any cards that would cause you to recoil in horror if they should somehow appear in your opening hand, you should probably include them in your Zeddemore deck. Worry not – strong cards are welcome too. An equal number of good, okay, and bad works well.
Recovery – (I have no idea what is good or bad in Pokémon, but I’m keeping this here for future reference), Zeddemore has an aspect to it that can allow a player who’s ahead on the board to easily build upon their advantage, leaving their opponent in a situation that rapidly falls out of their control. For this reason, I like to include some cards that are not at their best in the hands of a player that’s winning. There shouldn’t be too many of the good ones, of course. Occasionally, players do have to lose.
Deck Search – For reasons I will explain below, cards that let you search your library, while allowed, should be approached with caution. (Unfortunately I don’t think this is suggestion avoidable in Pokémon).
Deck Size – The bigger the better. How small can a deck be? Well, you don’t want to run out of cards (though it’s not a big deal to just shuffle the discard pile and keep playing).
Random – Some of these guidelines can be ignored if players are willing to utilize the deck construction technique that is most in the spirit of Zeddemore – completely random. With this approach, not even the deck’s builder may look at the cards until the drafting begins.
Sundry – There is all sorts of other bits of advice and rules, often relating to specific mechanics, that I will share in the future.
The Graveyard
Traditionally, there is a shared graveyard in Zeddemore. This is not a requirement. If the builder of the Zeddemore deck feels that their deck would work best with individual graveyards, then that is their prerogative. Playing with a shared graveyard can make some cards better. Generally, this is fine. Zeddemore likes strong cards.
The Annoying Rules
Zeddemore alters some basic things in the game, and as such, some annoying rules are required. (Some of these rules might not be applicable to Pokemon, but I’m hesitant to delete them until I feel more comfortable with the Pokemon TCG universe)
Searching the library – If a card tells you to search your library for a type of card, you may only look at the top eleven cards of library. When done, cards that weren’t taken are shuffled and placed at the bottom of the deck. The overall deck is not shuffled. Zeddemore decks are often very large, with the number of cards currently on the table possibly only representing a small portion of the deck’s total size. Allowing players to search even 50 cards, which they may not be all that familiar with, for the one card that would be optimal for them, is simply too slow. Searching 500 is a nightmare. It would also run headlong into one of Zeddemore’s greatest strengths – an exploration of the unknown. This rule makes many cards worse than they would otherwise be. Generally, this is fine. Zeddemore likes bad cards. However, cards that will often not do what they say they’ll do can piss off almost any player. Tread lightly.
Card drawing – As already explained, additional card drawing never gives you additional drafts.
Card ownership – A card’s owner is the player who most recently drafted the card. This rule can be especially important with shared graveyards.
Tucking – Cards that are put on the bottom of the library or are shuffled into the library, should be put on the true bottom of the library. As already stated, the portion of the deck currently on the table may not be the full deck. In my case, it never is. Most of the library sits in a box, waiting to replenish the cards on the table. Rather than turn the timing of this replenishment into something that can be ‘gamed’ (a short library might advantage one player), never consider a portion of the library to be the full library. Cards that are put on top of the library, or in the top portion of the library, work like normal.
Drafting – The game essentially pauses while a player is drafting. Abilities can not be used. Cards that continuously reveal the top card of the library don’t work until the drafting is finished.
More on drafting – A single draft counts as a card draw, even if that player drafted five cards.
The Play
(a benediction from Tom)
And now it’s time to play Zeddemore. Zeddemore is fun. Seth, myself, and the dozens of friends that have tried it can attest to that. Something else Seth and I can attest to, however, is that not every game is fun. Sometimes a player won’t get the lands they need. Sometimes a bomb can’t be answered. What Seth and I found, in our marathon sessions of Zeddemore, was that these games ended quickly. The great games, though, the ones with shifting board states, barely-answered bombs, and the skillful deployment of some truly sub-par cards, can last quite a long time, especially in our memory. I hope you have as much fun with Zeddemore as we do.
Revisions
If we play this game more (which hasn’t happened in the past eighteen months), I’ll make a freestanding posts with updated revisions. However, I suspect, this moment will be a relic of a moment, as I continue (unsuccessfully) my quest to be a boardgamer dad.
