GRIZZLY PEAR

written snapshots

Coat, Desk, Chair

I took my first studio in the spring of 1998. More than architecture, ED11A was about drawing and seeing.

This was the big midterm assignment.

It also coincided with the clock change, and we bemoaned the loss of an hour to complete this drawing.

It turned out that I didn’t need that extra hour. I finally got an “A” on this drawing. It was a brutal studio (architecture studios are half hazing), but something clicked on this drawing.

I expended an intense amount of effort on this piece, but one must also credit Fortuna, since nothing is guaranteed with art.

It’s been a quarter century since that long week in concrete caverns of Wurster Hall. Things that seemed cataclysmic are mere whispers in our memory.

Maybe I’ll return to this level artistry one day. More importantly, I hope my kids will push themselves to discover their art — my daughter is less than a decade away from her freshman year in college.

18″x24″ Pencil Drawing of a Coat, Desk, and Chair. I spent the week on my stomach drawing the green army trench coat at my studio chair and desk. A classmate drew this same scene from a different perspective. Everyone else took this opportunity draw in the comfort of their dormitories.

The graduate assistant for our section was Noga Wizansky who still makes great art. During my time at Berkeley, I developed close relationships with the professors Chip Sullivan and Joe Slusky in future studios. I loved their omnivorous approach to everything. It’s a shame that the Architecture program has become focused on architecture. There’s plenty of time for that silliness after college.

Ink for determining the perspective
Detail of the selected view
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