And it didn’t effect the quality of the teaching.
There must be a better way to do professional continuing education.
GRIZZLY PEAR
And it didn’t effect the quality of the teaching.
There must be a better way to do professional continuing education.
One of my main takeaways from reading the Chinese classic Journey to the West was being immersed in a polythesistic mind set. My brief looks into Taoism and Hinduism laid the groundwork for this experience, but it took the extended daily readings of this fantasy novel over a couple of months to create the mindshift where it was psychologically plausible to see random monsters and spirits hiding around every corner.
Don’t worry, I’m still an athiest – mother nature is weird enough without supernatural help – but at least I now have a passing familiarty with that mindset.
On a completely different note, here is the Ruthie Foster cover of “War Pigs”.
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The Houston Public Library introduced me to three great books, The New West, Stephen Shore’s Uncommon Places, and a third monograph that focused on reflections in the plate glass on New York City streets (but I haven’t been able to rediscover). All three books were from the 1970s and 1980s.
The New West has kept its freshness ten years after I first discovered it, almost fifty years after publication. Even though the Rocky Mountains are a foreign place for me (the most interaction I’ve had with Denver is stretching my legs at its train station while riding the California Zephyr), the suburban scape is quite familiar.
The tract homes are much like the simple homes I renovated in the Bay Area. I spent four years remodeling an old tract home in downtown Vegas. I now live next to freshly cleared new subdivisions in the desert. The book’s business strips mirror my grandparent’s avenues in the San Gabriel Valley. I can also see a central business (casino) district from our house, through the dusty haze of flatland. That same highway rolled through the foothills of Austin when I started dating my wife. It also runs through the desert towards Los Angeles.
It is all so familiar, and yet half a century foreign. Different from what I know, but every element rhymes.
The only misstep in this book is the introduction to the chapter “Tract and Mobile Homes”.
Few of the new houses will stand in fifty years; linoleum buckles on countertops, and unseasoned lumber twists walls out of plumb before the first occupants arrive.
I pulled up a copy of Google maps to verify this sour prediction. There have been some changes. Big trees stand tall where the land was scraped bare and fences now divide the properties. But the homes all remain, sometimes barely touched.
I wonder if any of the current residents know that their abode is been featured in a photographic monograph? What would they think if they stumble across a print in a fancy gallery? Do they realize the artist fully expected them their homes would quickly disappear?
However, our ability to predict the future is often half right. I followed up the house search by looking up his busy commercial strips. Almost all of them have changed. Sometimes there are wafts of the past with similar uses in new buildings, but American commerce is one of creative destruction.
Those examples in this book were not spared. Only the church has remained.
And so I see our future in Las Vegas. The streets will remain. These squat stucco boxes will survive. I doubt our trees will grow as tall, but I’m curious what our shopping centers will become in the second half of this new century.
~
What do you see in your crystal ball? What will stick around in fifty years?
Hit reply and let’s chat!
~
The Growth Equation posted about the importance of physical constraints, especially for knowledge workers who deal in data all day. This is why I love this industry. Outside of academia, architects have to deal with physical reality, even if we aren’t forced to get our hands dirty.
… and a photo.

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Thanks for reading the OPM letter! I’d love to have a conversation if you have any feedback. I hope you found some prompts to stretch your craft as a curious Owner PM. See you soon!
Justus Pang, RA
I did my initial newsletter culling last week, but I’ve been working through all my unread messages in my “newsletter” email inbox. It is a slightly more productive (and less distracting) use of my phone than social media.
It has confirmed my instinct to cut down on news. Even the essays from my favorite authors feel much less urgent only a couple of weeks after they were posted.
Neil Postman’s Amusing Ourself to Death makes a good point that we can do absolutely nothing about 99% of the stuff we read. While the occasional issues bring up a question worth pondering, the vast majority is glorified entertainment that leads to distraction and anxiety.
Not that my other main diet of random youtube videos is much better, but at least it isn’t pretending to be anything other than mere dross. On that note, I’ve been having a lot of fun being “meta” – watching videos about why movies do (or don’t) work. Both at a storytelling level and at a VFX level.
Watching such fare makes me feel slightly more sophisticated than spending 90 minutes watching an actual movie (because I feel like “analyzing” the content). I don’t know how the algorithm is great at creating new fancies to tickle but damn it’s good at its job.
Last month, I played around with with Instagram. I’m good for now, but here are the photos from January 2022 and from the period in 2014 when I was last on that app.
As much as I dislike social, I guess it’s not the end of the world if I pop onto that platform and mess around every few years for a limited period.
As might be assumed (given this blog), I am a believer in slightly oversharing on the internet. If anyone looks me up (as I do them), I want to control the narrative of myself if anyone looks me up (as I do them). Of course this is a sculpted image, but I’d rather have someone see my current conception of self instead of old xanga postings and photos from my college days <eek>.


















while I’m at it, here are the images from 2014.
















Yesterday I found out that the architect who was going to review a couple of my healthcare projects suddenly passed away. I didn’t know him well, just a few emails and phone calls over the years.
It threw me for a loop. I didn’t get anything done that afternoon.
Was wasting half a day the proper way to honor the passing of a tenuous acquaintance?
Carpe Diem.
Alas, I’m only human.
Then again, the best way to honor the dead would be to live even more fully.
I’ll try to do him right today. Rest in peace Gordon.
In these fraught times, I wonder if the last thirty years of prosperity have been the abberation.
Humans adjust to a new normal very quickly. Adaptability in the face of pressure is generally a good thing, but maybe it comes at a cost of enduring gratitude in the face of continued good fortune.
On a brighter note, we had snow yesterday! Nothing strong enough to stick, but it was fun to watch fluffly white bits descend from on high.
Once or twice a year, I dig through my fifteen boxes of books in the garage. Aside from the occasional late night web purchase, these are my most materialistic exercises.
It’s ridiculous that I keep these books.
The enlightened unattached person should discard all these material goods. Nine years in a box is proof that they are unnecessary.
However, I love revisiting all these little gifts (burdens?) from my younger self. Books always carry a physical memory of the moment when they were acquired or when they were read.
Books also carry hope for future knowledge. Mainly a vain hope; I’ve lugged some of these across the continent over two decades, from Berkeley to Houston to Vegas.
One day, when we find our own house, I envision a big bookshelf with all these books in glorious display. Maybe that’s a vain hope too.
But for now, I occasionally rescue a select few from the garage. At least those lucky volumes are a step closer to being read.
Now where can I find time to read?
I’ve been culling through my email newsletters again.
I’ve deleted almost all of my political newsletters, but I might still delete the last three – Jonah Goldberg, David French, and Jeff Maurer).
Of course I’m keeping Seth Godin and CJ Chilvers, but none of the other internet marketers – they are all too focused on the tactics of the day.
I’ve gotten rid of all the psuedo-psychologists except for Chris Boutte (who is from Vegas) and Tiny Habits. Interestingly, I’ve kept the guys who have a background in sports – Gordon Byrne, David Epstein, and the Growth EQ guys.
Art and Design still remains strong. I kept the Daily Dose, the Met, Incididental Comics, Create&Release, Fred Hatt, Craig Mod, DesignBoom, Van Schneider, and RLVTR. I don’t need fashion, but I appreciate delight and insight.
I’m still keeping BD+C’s daily 5 and Bob Borson, but they might both be cut as well. However, I find them a good way to keep a pulse on the industry.
In the miscellaneous pile, I’m still subscribed to Mr. Money Moustache (personal finance) and the Let Grow (parenting), and Jamie Thingelstad (personal musings).
Of course American Life in Poetry isn’t going anywhere.
Sorry. Couldn’t help myself.
One day, I’ll finally read Perec’s A Void the novel without an “e”, as well as his novella Les Revenentes the short story that only uses “e”. I have both hiding in my garage, buried in one of my many boxes.
In the meantime, I can vouch for Perec’s magisterial work, Life a User’s Manual. One of my favorite memories of my semester in Paris was reading that book in a park on a gorgeous spring afternoon.
But don’t take my word for it.
In my view, this book, published in Paris in 1978, four years before the author died at the early age of forty-six, is the last real “event in the history of the novel so far. There are many reasons for this: the plan of the book, the incredible scope but at the same time solidly finished; the novelty of its rendering; the compendium of narrative tradition and the encyclopedic summa of things known that lend substance to a particular image of the world; the feeling of “today” that is made from accumulations of the past and the vertigo of the void; the continual presence of anguish and irony together – in a word, the manner in which the pursuit of a definite structural project and the imponderable element of poetry become one and the same thing.
“Multiplicity”, Six Memos for the Next Millenium, Italo Calvino, 1985